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Showing posts with label Women in Business. Show all posts
Showing posts with label Women in Business. Show all posts

A MAN'S WORLD: THE ILLUSION OF CHANGE IN THE ART INDUSTRY: OPINION PIECE

@ Keila Hotzel


Written by Kelly Bryan for The Rising Womxn Zine

 


In recent years we seem to have entered a world which asserts its inclusivity, acceptance and diversity. Although the art industry has been dominated by males since it was established, many museums and art foundations seem to emulate this pretence of equality, somewhat flaunting their new and accommodating attitude to the general public. You may have noticed their claims to be ‘actively striving towards’ gender equilibrium; representing female and male artists equally. They suggest, in fact, that we are on the brink of gender parity within the art world.  

 


You are forgiven for internalising these claims, presuming them to be true. Many of us wish that gender equality in the art world was a reality, therefore, when we notice persuasive articles suggesting this to be the case, why would we question them? In fact, I have fallen subject to their lies on multiple occasions, celebrating their vigorous and successful work towards abolishing gender imbalance within the art industry. However, in reality, little practical or effective action has been taken within the majority of institutions. The art system is still fundamentally a man’s world. 

 


The National Museum of Women in the Arts reported that in the modern day, 51% of visual artists are female. However, this optimistic statistic simply exposes how the representation of art made by women is drastically disproportionate. Of all the galleries in London, 78% represent more men than women, they simply fail to adequately acknowledge and celebrate the talents of female artists. These institutes not only neglect the representation of these females, they also severely undervalue them compared to their male counterparts. Artnet News states that between January 2008 and 2019, art auctions around the world made a total of $196.6 billion in sales. A mere 2%, equating to just $4 billion, was made from the sale of artwork created by women. Not only is the female art market much smaller, it is also highly concentrated on just a few artists. Worryingly, just five women made up $1.6 billion of the $4 billion total sales over almost twelve years.

 


As you can see, the statistics point to a reality far from the utopian world proposed by the art industry. Why? you may ask, well, there are a variety of complex reasonings. Many of these are based upon the patriarchal and intolerant societies which excluded women from professions and education inside the art industry until the 1870s. For the purpose of this article, I will briefly list a few causes of gender imbalance in art, although it should be noted that each explanation warrants its own article entirely;

 

-       Throughout history, women have been defined as the subject of art, rather than its creator. According to a 1989 report by Guerrilla Girls – an anonymous feminist group composed of female artists – the Modern Art Section of the Met.Museum showcases less than 5% of female artists, and yet 85% of their nude artwork represent female bodies.

 

-       There remains the incorrect belief that art institutions are selling to a uniform audience, made up entirely of white, middle-aged men. Consequently, the industry sees it fit to predominately sell work created by white males for their perceived white, male audience.

 

-       Art history has been persistently uninterested in the art produced by women. The oppression faced by females throughout history constitutes an underrepresentation of females in the industry with fewer records relating to female artists in comparison to males. Consequently, female artwork is rarely conserved, collected or tracked. 

 


The key point here is society’s perception of gender inclusivity in the art world and the actuality that there is a disconcerting lack of progression in this area. The stories we are told about positive movements in the art world should not be taken at face value; we must investigate, ask questions and hold accountable those who simply make bold and false narratives.

 


The understanding that marginalised artists have been given unbiased representation within art organisations is simply a myth; a poignant reality to accept. However, it also acts as an awakening; the first step to tackling this issue is recognising it. We must look at which point art institutions sit in terms of gender parity, rather than where we perceive them to be. This will pave the way for effective and sustainable change. 

 


“What can be done to enhance gender inclusivity in the art world?” I hear you ask, well, my friend there is an effective starting point all art organisations could and should implement into their systems. A Spotlight Series would highlight and celebrate the achievements and talents of female artists, exposing their excellence for all to see and appreciate. It is important to note that this process does not provide female artists with a voice, as I see so many institutions suggesting. These women already had a voice, it was just being ignored, lost in a sea of male hierarchy and ignorance. The Spotlight series would provide a platform to be heard, to advocate female art so these talented, ambitious and driven women can finally be celebrated.  

 

BEAN'S BEADS BY KARINA MANN

@Boss Babe


Written by Emily Stephens (she/her) for The Rising Womxn Zine


Karina Mann (she/her) is the creator of Bean's Beads. Her brand is handcrafted floral jewellery that she promote and sell on Instagram. Karina makes bracelets, necklaces and anklets. She started off making necklaces for herself after seeing a beautiful beaded floral bracelet that someone was wearing in public, but she couldn’t find anything like it online to buy. After buying some different coloured beads and making a necklace for her own personal collection, a few friends asked Karina to make them one as well. Having nothing to do due to lockdown, she spent hours shipping her jewellery around the country to university friends and friends from home. After Karina realised that there could be a demand for her beads, and after a lot of encouragement from friends, she hopped on Instagram and made a page for them! 


@bean.sbeads

What started out as a lockdown hobby has turned into a small business for Karina and she has loved every second. 'I’ve been overwhelmed with the positive response I’ve received so far and can’t wait to grow my business further! I have some very exciting new designs coming soon including personalised jewellery and pieces that include real freshwater pearls.'


@bean.sbeads

Karina's creations are perfect to be given as gifts or just as a treat for yourself! Another lovely way that Karina has seen them being enjoyed is as a set of friendship bracelets. 'If you and your friends are heading off to university scattered around the country – what better way to keep a little memory of each other on you all the time?!'


@bean.sbeads

Karina told us, 'when I’m not crafting jewellery, I’m a second year Marketing student at the University of Liverpool and I’m originally from Hertfordshire. My love of arts and crafts stemmed from my Art A Level studies and I’m so glad I’ve rediscovered how therapeutic it can be to have a creative outlet. I’m very excited to continue creating beautiful new designs!'


@bean.sbeads

To see more of Bean's Beads, follow @bean.sbeads on Instagram and feel free to message Karina for any orders, queries or to discuss any specific designs you might be after!

IN THE NUDE BY MADDIE BOOTH

@angiecouple on Instagram


Written by Emily Stephens (she/her) for The Rising Womxn Zine



In the nude motto: Self-love and celebration of the human body 


Many people struggle with their body image; most have been insecure about the way they look at some point in their lives and this has a huge impact on our relationship with our bodies.


When lockdown began, Maddie (she/her) found herself with more time on her hands than ever, something she wasn’t used to and frankly made her really uncomfortable. She turned to art to fill the evenings and empty periods. But like most, she also found herself on her phone a lot more, browsing various social media pages. Maddie was constantly seeing threads about how people were struggling with their bodies during a time where they spent so much time alone; constantly having internal battles about finding motivation to work out or to eat right during these times. 


Maddie decided then to turn her hobby into helping people become more in tune with their naked self. 


So, what Maddie is trying to help with at ‘In the nude’ is showing her naked volunteers that there isn’t a single type of beauty. There simply isn’t a right or a wrong way to look. 


Painting these array of naked bodies is so much more than creating artwork, it’s about sharing honesty, being brave enough to put yourself out there, and to accept and love your naked form. For many of those who got involved it was actually their first time sending a nude image. After seeing their picture turned into art by Maddie, many volunteers said they felt empowered that their bodies were being recognised as art instead of being viewed sexually.





A message from the model: "When I first saw Maddie advertising for models to be painted nude, I instantly thought that I would never be confident enough to do something like that. But the truth is, that thought had more to do with my relationship with my body. Then I realised that confidence comes from within. Maddie’s work is all about celebrating our bodies and I’m hoping that putting myself out of my comfort zone like this can allow me to celebrate my body more"






A message from the model: "I loved seeing all of Maddie's submissions but seeing my own self painted with all the beautiful colours made me feel genuinely emotional and so empowered. It reminded me that not only had I taken a step to picture my fully naked body and show it to someone but it also showed me I was able to see my body in a different light , as an art form. Like many others , I spend so much of my time criticizing my body, missing out on fun because I feel I look fat, overworking my body to the point of exhaustion and feeling I’m only accepted by people if I look a certain way but it’s something I’m working on and being painted like this feels like such a great step. On bad days it’s easy for my mind to be clouded by negative ways of thinking about myself but I think having this painting hung up will be a gentle reminder to quit being so hard on myself and just to take a moment to realize the natural and vulnerable beauty of my body without all the chaos and comparison from the outside world . Every time I look at the painting I feel like I could cry a bit because I’m overwhelmed with love for myself and my body- not just because of what it looks like but because of all the wonderful things it allows me to do. Moments like this are so special they must be celebrated- they are a sign of growth and mental progress."




⚠️ Trigger warning - assault ⚠️ A very poignant message from the model: "In 2018 I was followed home by a man who saw a drunk girl alone on a train as an opportunity. The next day, my body was just a reminder of where he had been. I remember curling into a ball on the shower floor and wondering whether, if I stayed there long enough I'd stop existing, and would stop living in a body that felt so uncomfortable and unsafe. 
Two years on, and I'm slowly finding ways to appreciate myself and my body again. I went to therapy, joined a gym, started fashion modelling, and started to be my own person. Having this painting done has been a really fun part of the process of learning accepting myself again. I absolutely love the result, and I'm so happy to have this painting as a reminder of how far I have come. Thank you so much Maddie!"




A message from the model: “After the birth of my 2 children , too many sleepless night, poor eating and thinking that I was never going to look like the “ pre-pregnant ME” my body positivity was at an all time low..., 4 years later and I am still not back to my pre- pregnant ME, but I have come to love the new ME, lumps, bumps, curves, stretch marks and all !! Thank you Maddie for my painting, it gave me a new perspective on myself, a positive one and I shall proudly hang my painting on the wall for everyone to see”





A message from the model: "My relationship with my body took a massive hit when I caught a disease that made me loose a lot of weight, dropping two stone in a month. It had such an impact on my body image but also on how I felt as young woman, my period stopped for almost 8 months and the extreme weight loss meant I was really flat chested. I absolutely hated the way I looked for a few years. It took a long time to get back to a healthy weight and since this I have always hated being called "skinny". Now 5 years on I'm in such a better place. A real turning point for me was finding my passion for keeping fit, I never wanted to be called skinny again, I wanted to be seen as someone strong and be happy in my body. 
But still, loving your body is really hard. There are days when I am so critical with myself, feel very self conscious and definitely push my body too hard. I've learnt to love my small boobs now though and the strength I've gained from getting fit has improved my self confidence so much! I'm proud now to show my naked figure off."





A message from the model: "I have never been kind to my body, always picking it apart and hating what I am seeing, constantly comparing myself to those around me. This was out of my comfort zone - I was shaking at the thought of it but I can’t believe that these paintings are of my body. I have never felt more empowered - here’s to the beginning of learning to fall in love with my body. Thank you Maddie for making me feel beautiful."

If you want to see more of Maddie's amazing work, go to:  https://linktr.ee/inthenudeart

HAUNT COUTURE - THE SHOCKING REALITY OF FAST FASHION

Jason Leung

 

Written by Emily Stephens (she/her) for The Rising Womxn Zine


Across the last few years, cancelling has become more prominent on social media. The act of cancelling, also referred to as cancel culture, describes a form of boycott in which an individual (usually a celebrity or influencer) who has acted or spoken in a questionable or controversial manner is boycotted. The YouTube beauty community seems to be on the receiving end of cancel culture more than other communities, however over the last few months, fast fashion brands such as Boohoo, Shein, Primark and Missguided are the latest to be boycotted. 

 




@Boohoo

 

 

Trendy clothing brands that offered a ridiculously cheap alternative to the labels being paraded across Fashion Week became more and more popular, especially with the rise of influencer power across social media. Fast fashion brands are often partnering with up and coming influencers to gain brand exposure. Fast fashion was highly praised, with consumers being able to wear the same outfits as their celebrities for only a fraction of the price. 

 

However, the world received quite a shock in 2013 when the Rana Plaza clothing manufacturing complex in Bangladesh collapsed, tragically killing over 1,000 workers. This was when we got a true insight into the conditions inside sweat shops and prompted us to think more deeply about the garments we were buying at such cheap prices. 

 

Before we delve further into the world of fast fashion, there are three kinds of fashion you need to understand first:

  • High fashion: (also known as haute couture) expensive, fashionable clothes produced by leading fashion houses, often featured on catwalks of fashion weeks. Heavily influences celebrity fashion trends. This high-end fashion is cost specific, occasion specific, custom fitted, bespoke and extremely high quality. 
  • High Street fashion: These are clothes that you could buy on your average high street. These include high street brands that mass produce clothes catering to a larger target audience, are affordable and aren’t very occasion specific. These clothes are ready-to-wear and keep changing season to season. High street fashion is heavily influenced by high-fashion-week catwalks and celebrity culture. 
  • Fast fashion: This is inexpensive clothing produced rapidly by mass-market retailers in response to the latest trends. It is when designs move quickly from the catwalks of high-fashion-weeks to the racks in high street stores and allows mainstream consumers to purchase trendy clothing at an affordable price. 

 

Even though the idea behind fast fashion is to get the newest and trendiest styles on the market as fast and as cheap as possible, the sad reality of fast fashion is that these garments are often discarded after only a few wears, which is creating a huge problem for the environment. Fast fashion contributes to the mindset that repeating outfits isn’t fashionable, and this is another reason why it is called fast fashion, as the market produces clothing that quickly that it convinces consumers that garments they may have only purchased the week before would now be out of fashion. 

 

@ecowithnico on Instagram

 

 

Fashion production was slow pre-1800s. Materials like wool or leather had to be personally sourced and prepared, weaved and finally made into garments. New technology, like the sewing machine was introduced during the industrial revolution. History suggests it was around this time that the first sweatshops started to open, which brought an array of health and safety issues with it. The first major sweatshop disaster took place in New York’s Shirtwaist Factory in 1911, where a fire broke out and tragically took the lives of 146 workers, many of whom were young female immigrants. 

 

The 60s and 70s started to see a significant rise in quicker changing fashion trends as younger people used this as a form of self-expression, but high fashion and high street fashion still remained strictly divided. Online shopping really began to take off in the late 1990s and early 2000s, and this is where fast fashion really started to come into its own. Shops we consider as retail giants now like Topshop, Zara and H&M began to take over the high street by reproducing the latest catwalk and celebrity trends at a quick and cheap rate. It’s not hard to imagine how many fast-fashion companies exist in today’s climate, with online shopping now becoming more favourable than high street shopping, and celebrity culture possibly at its most influential status in history. 

 

Bangladesh is potentially the world’s most notorious location for sweatshops, with 3.5 million workers in 4,825 garment factories producing goods for export to the global market and generate 80% of the country’s total export revenue according to War on Want. Approximately 85% of these garment workers are women, and this is no accident. Gender discrimination runs deep throughout a number of countries where sweatshops are based. Not only is this the case in sweatshops, but also in the fashion industry as a whole. 


Louison Webb (she/her), an ethically conscious fashion designer from London said, ‘Throughout my experience in the fashion industry, I have noticed that it is predominantly men who own the business and will hire females to work for them. Not only is this because of traditional and patriarchal views still holding the fort, but businesses in the textiles industry in particular get away with paying women a lot less than male counterparts, and this is why women are hired to do the hard labour.’ 

 

@Do Something

 

 

Women working in such conditions are often subject to verbal and physical abuse as well as sexual harassment. Louison said, ‘even though I’ve been lucky enough to work in ethical fashion businesses previously, I have still sadly faced sexual harassment with male colleagues making inappropriate comments about what I would wear to work. I acknowledge that there are women working in sweatshops in the UK and the rest of the world that face a much bigger scale of discrimination, harassment and assault much more severe than this, but it still all adds to the overall problem.’ 

 

Some garment factories in Banglasesh go as far as discriminating against women when it comes to family planning. According to Clean Clothes Campaign, women applicants are often asked if they are married, or plan on having children. Some employers will only hire unmarried women with no children, and some go as far as making women sign a document that they agree not to have children during their term of employment. Compulsory pregnancy testing during the recruitment process is also a common practice. If women refuse to be tested, or test positive, the likelihood of them being hired is very slim. 

 

Over the years, more reports have come to light of pregnant workers facing an alarming rate of harassment such as verbal abuse, higher production quotas, longer work hours and more difficult tasks. As a result, many female garment workers who become pregnant during their employment go to great lengths to try and hide it, often resulting in birth defects and other childcare issues. Louison told us, ‘how female workers are treated in fast fashion has inspired me to do what I do; activism through craft, and I will continue to be part of the movement in giving those women the voice that they deserve.'

 

@Euro News

 

 

If this harrowing information wasn’t enough, the majority of garment workers in Bangladesh earn below minimum wage which is 3,000 taka a month (which equates to £25). Many garment makers are forced to work 14-16 hours a day, seven days a week, with some workers finishing late hours into the night only to start again at early hours of the morning. Factories are often unsafe, cramped and hazardous, and since 1990 more than 400 workers have tragically died and several thousand more have been wounded in 50 major factory fires. 

 

Fast fashion brand Boohoo is the latest brand to come under fire regarding working conditions and is facing an investigation into accusations of modern slavery after it emerged garment workers at factories in Leicester were being paid as little as £3.50 an hour, way below the national minimum wage which currently starts at £6.45. Louison said, ‘I love seeing people calling out big brands on social platform, it gives me life! The recent boycotting of fast-fashion brands has been a long time coming! The conditions that workers find themselves in is just disgusting and goes against all aspects of human rights.’ Given this information, it is easy to understand the uproar in the British media over the last few weeks with the new information regarding Boohoo. Owned by the Kamani dynasty, Boohoo is worth an eye-watering £5billion, which makes the revelations of sweatshop slavery even more appalling. 

 

Fast fashion factories in Leicester are a long-standing issue, but sadly authorities often struggle to find evidence of modern slavery despite the prevalence of sweatshops in the city. Many reports were published in 2019 surrounding the notorious Spinney Hills – the heart of Leicester’s textiles industry. Stories emerged of immigrant women working in poor conditions for an hourly rate way below the minimum living rate. 

 

The impact of fast fashion is devastating, not only to its workers that are exploited and underpaid, but to the planet too. As of 2018, the UK had 26.7kg consumption of new clothing per head, which is currently the highest in Europe. 235 million items of clothing were sent to landfill in 2017. 700,000 fibres are released in a single domestic wash and 1.2 billion tonnes of carbon emissions are produced annually by the global fashion industry. With the current boycotting and ‘cancelling’ of fast fashion brands on social media, many are campaigning for the use of creating a more ethically sourced wardrobe. 

 

@The Guardian

 

 

A few years back, an app we all may know by now, Depop emerged. Depop is marketplace that encourages account holders to sell and buy second-hand garments. Of course, eBay has always been a platform for doing the same thing, as well as donating to charity shops, but Depop made second-hand clothing fashionable again. ASOS followed suit, with ASOS marketplace housing thousands of second-hand clothing.

 

Not only has ‘thrifting’ become more popular - which is basically a cool term for second-hand shopping – more ethical fashion companies are popping up across the globe. Being an ethical fashion designer herself, Louison said, ‘sustainability within your business or product should be a priority,  it is not only vital for the planet but the consumer has become more aware and educated with the production of clothing It may have become a trend, but the consumer will willingly research the ethics of a brand and ones that don’t act sustainably will have less chance of selling their products. Buying fashion should be a conscious choice. We should all consider where our clothes have come from, the impact on the environment and the conditions for the workers.’

 

@verteej on Instagram

 

 

While many high-street and online fashion brands still choose to utilise fast fashion, others are pledging to make a positive change, no matter how small. ASOS were already trailblazers by featuring a marketplace full of second-hand items for consumers to buy, but they also feature a number of eco-conscious garments that are made from recycled materials as well as moving towards using more eco-friendly packaging. Louison said, 'it has become a lot more common for brands to enforce sustainability whether it be in the production of their clothes or the use of recyclable packaging. Although many of the larger names see this as an advertising opportunity and will use it to entice the customer, stating that they use second-hand materials but still pay below minimum wage to their workers or predominantly use synthetic materials which causes extreme negative impacts towards the planet. What I have seen most is the smaller, independent brands that will implement a more ethical approach to starting a business, this is truly refreshing, and I wish that people supported these more!' 

 

It is important that more clothing brands take a step towards becoming more sustainable with a specific socio-conscious focus because, ‘as designers and brands, we have a responsibility to highlight and include important societal issues within our work given the size of the platform we have. There are so many events taking place right now that need a voice to educate people on what is happening not just to the planet but also to the people that inhabit it. Most pieces of work coincide with a description, this could include, inspiration, process’ and meaning. A lot of people will be reading this and not including an important message would be a missed opportunity to help where we can.’

 

@verteej on Instagram





Louison wanted to add, ‘during this piece, I have revisited events that I had subconsciously ignored, and it then spurred me to have conversations online with other females that have been a victim to similar issues. This can be an uncomfortable topic to talk about, I urge that people don’t stop! Talk about your experiences and teach and learn that you are not alone, and this is the start to systemic change.'

 

To find out more about Louison and her ethical fashion, visit: https://www.instagram.com/verteej/

 

 

EMERGING INTO A MALE DOMINATED WORLD: PERLcosmetics & GIRL IN BUSINESS


@girlsinbusinessuk at Instagram



Written by Emily Stephens (she/her) for The Rising Womxn Zine


Finding support when setting up a business can be difficult but can be especially challenging for females. The world of business has always been and still remains to be a male dominated industry, leaving little room for women to emerge into higher status roles. Not only can this be demotivating, but it can potentially put women off starting their own business altogether. 
 
The one industry that is seeing more and more female-owned businesses arise is skincare. Maybe this is due to the fact that self-care and beauty is often stereotyped as a female market, but it’s clear that there is plenty of room for female entrepreneurs in this sector. 
 
We caught up with Isobel Perl (she/her), a Biology graduate and founder of PERLcosmetics; who gives us the lowdown about emerging into the world of business and skincare, as well as creating a platform for supporting other female entrepreneurs. 
 
What made you become a business owner?
 
After working in the corporate world at a big 4 company in HR, I knew this wasn’t what I wanted to do. The thing is with me, I seem to have a good idea of what I don’t want to do, but struggle knowing what I want to do. In November 2019, I was at home one weekend and broke down to my parents. I was so miserable, I honestly felt like a shell of a person. It wasn’t so much that I hated my job, it was okay, and I liked who I worked with. I just didn’t feel passionate about what I was doing, and that was what I was struggling with. I needed to find my passion and purpose in life, and when you come out of Uni there is so much pressure for you to get an ‘adult’ job that we tend to just rush into things. 
 
How did PERLcosmetics come about?
 
I’ve always been a lover of cosmetics and skincare and have formulated my own products from face oils to pressed glitters. I remember reading an article about two young e-commerce guys who have started a highly successful skincare business in Australia initially selling only clay masks. It got me thinking, what brand is there in the UK known purely for clay masks? I couldn’t think of any off the top of my head, so I did some research. After, it appeared there was a gap in the market for a brand such as PERLcomsetics that specialises in clay masks, and so I set up my website and Instagram account. 
 
What was the inspiration behind your products and brand?
 
The idea for the product was to supply a glass jar with powder clay and a glass bottle of illuminating oil, whereby the customer mixes water with the powder clay and illuminating oil to create their own mask. It would be customisable, allowing different textures and can be made to suit the customer's skin needs by altering the amount of illuminating oil.
 
My product is all about keeping the formulation simple and as natural as possible. Every ingredient in my product has a purpose to promote healthy skin, there isn’t anything unnecessary in my product which also promotes waste reduction. 
 
I also wanted my brand to be empowering, embracing everyone’s differences and to give people the confidence to glow in their skin. I hope in creating my product, I can give my customers some time to invest in self-care whilst being able to put the fun back into their skincare routine with a DIY mask

@PERLcosmetics at Instagram

 

Did you face any challenges setting up your business?

 

Honestly, it wasn’t the start I’d hoped for my new brand. I had a full-time job and wasn’t in a position to leave job security to be able to fully invest my time into getting the brand launched. The idea got parked and I went back into the 9-5 of the corporate world.

 

When coronavirus broke out, it also took my job. My company were making financial cuts and unfortunately my job was lost. Initially, it was a shock and a struggle trying to figure out what I was going to do. However, rather than seeing it as a setback, I saw it as an opportunity. An opportunity presented to me in order to get the business set up. I’ve been focusing full-time on it since the middle of May and I honestly can’t believe how far I've come in these short 6 weeks.

 

The biggest thing I’ve had to overcome is imposter syndrome. I can sometimes feel incredibly foolish for trying to start a business in an already incredibly saturated market, with basically zero skills aside from my biology degree which has been essential in helping me formulating my product and understand the skin

 

Natural skincare is all the rage at the moment, what are the benefits?

 

Natural ingredients are not only better for skin but also the environment. I am proud to say that 88% of our ingredients are natural, with 6% being nature-identical (our pigment) and 6% being a synthetic compound which is used in the mining of our clay. Natural ingredients are packed full of beneficial qualities to help promote healthy skin. My products are also paraben, palm-oil, alcohol and artificial fragrance free. 

 

Consumers have become more interested in what they are putting on their skin, and I want my brand to be as transparent as possible in showing what ingredients I use and why.


@PERLcosmetics at Instagram

 

Being a female business owner is hard! Why is it important for more female entrepreneurs to emerge?

 

Having a brand that is created by a woman is, I hope, inspiring. All too often I see headlines such as “Men twice as likely to become entrepreneurs than woman,” and numbers support this – the amount of British female entrepreneurs still remaining surprisingly low, with just 5.4 women entrepreneurs for every 11.1 men. Is it because men were risk takers, with women being notoriously more risk adverse? For me, I knew I was a risk taker, and I know when I’m passionate about something I will not stop until I’ve achieved it. I hope using my passion to start this business can help empower other women to follow their dreams. 

 

Do you think there is a lot of pressure on women to have flawless skin/appearance based on the influencer culture? 

 

I definitely think there is a lot of pressure to have flawless skin, which has been perpetuated through years of airbrushing and photoshopping of images to remove blemishes, uneven skin and texture. To me, it is such a shame that women (and men) feel they have to hide and cover up any imperfection. Also, nowadays there are lots of apps around where you can edit your skin in seconds, it’s too easy for people to quickly ‘improve’ their appearance at the click of a button.

 

Do you think much is being done to combat this?

 

there have been movements to spread positivity surrounding skin and embracing the skin you are in. Acne awareness month has just ended, and there are a lot of new Instagram accounts that are all about promoting acne, blemishes, uneven skin etc. I do think there is a big responsibility on big brands and influencers alike to begin promoting all skin, which is anything from textured, to blemished and uneven. When I have the budget to do shoots, I’ll be sure to choose a variety of models with differing skin types embracing their imperfections. There is no way I will be promoting ‘perfect’ skin, as it simply doesn’t exist.


@PERLcosmetics at Instagram

 

Why is it important to empower women to feel confident in their own skin?

 

Being able to promote your own skin and body in a positive light is vital as everyone is different. We can’t all conform to one ‘perfect’ stereotype portrayed by media, e.g. slim, light skinned and with perfect skin, as it is simply impossible. By being able to encourage the notion that everyone is different and beautiful in their own right helps to dismantle the pressure put on females to look a certain way.

 

Do you aim to empower women through PERLcosmetics?

 

By using my platform to do so is something that gives me great pleasure. By creating PERLcosmetics I hope to be able to highlight that loving yourself and your skin is the most important thing someone can do. Confidence is your most valuable asset, and accepting yourself, imperfections and all, is a positive step in being able to live your best life.  


@PERLcosmetics at Instagram


 

Tell us about Girls In Business!

 

Girls in Business came after I’d set up PERLcosmetics. After trying to find ways to help promote my new business, I saw there was gap for a platform to help inspire and encourage other women in business. Whilst trying to get the word out about my new business, I thought of how many other women there were who have or are setting up their own businesses. 


It’s a platform on Instagram where I feature women in business each day, telling their story and providing their insights on their journeys into business. I also have a closed Facebook group where we can come together to connect and share ideas. I actively encourage self-promotion and encourage new joiners to share an #introductionpost to introduce themselves and tell us about their business! 


Already I’ve had so many women tell me the platform has inspired them to take the plunge and take their idea from a dream to a reality. By being able to share advice and tips from women who have been there and done it, it provides a supportive community where we can all learn from each other.

 

@girlsinbusinessuk at Instagram

 

What are your goals over the next 12 months for PERLcosmetics and Girls in Business?

 

It would be my absolute dream for PERLcosmetics to become a source of stable income, but I have to think realistically about it. Getting big in the skincare industry, which is an already saturated market, will be difficult. So, my aim is to manage the business alongside a job I have accepted which will begin in the autumn. By then, I hope the business will be in a solid position to manage a full-time job alongside it. Within the next year, I'd love to expand my product range to provide a cleanser, moisturiser and even exfoliator. There are big plans for PERLcosmetics, but currently I am remaining level-headed and not getting too ahead of myself! But, catch me in an edition of vogue one day…gotta start manifesting!

 

For Girls in Business, again I hope it will continue to grow into a large supportive community of brilliant businesswomen. Already day by day it continues to grow, and I am so proud the platform can inspire other women that they can do it too! I am enjoying being able to connect with women all over the globe and hearing their incredible stories. I’m tempted to do either a YouTube channel or an IGTV where I interview the women and their stories, which would be super fun. I hope once PERLcosmetics is up and running smoothly, I’ll have more time to focus on expanding Girls in Business.


@girlsinbusinessuk at Instagram 

 

What advice would you give to any aspiring female entrepreneurs?

 

One of my biggest pieces of advice is to follow something you're passionate about. I ended up in an uncreative corporate job and I was miserable. I chased a nice salary and that was all I cared about. Because of it, my mental health really suffered. I’m now unemployed, with no salary, and I’ve never been happier because I’m doing something I genuinely love and am able to be creative and learn a wealth of new skills! The most important thing is your happiness, make sure you’re happy doing what you’re doing, and the rest will fall into place. That is my promise to you.

 



 

You can shop Isobel’s innovative skincare range at https://perlcosmetics.com/  and make sure to follow PERLcosmetics and Girls in Business on Instagram @perlcosmetics & @girlsinbusinessuk. Isobel also has a blog where she’s opened up about her struggles in both her personal and business life: https://perlcosmetics.com/the-silver-lining-of-coronavirus/